This page
features reviews of some of our favorite first novels - Partners'
Picks - from our First Editions collection.
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Faces of the Gone
by Brad Parks
Author's first
novel is a gritty Newark noir mystery
which introduces investigative
reporter Carter Ross of the Newark Eagle-Examiner.
After a
quadruple homicide is discovered, in which four seemingly
unrelated
corpses are stacked in a vacant lot, the police leak a theory to
explain
the body count and calm the residents -- but Carter doesn’t buy
it.
Carter's background is far from the streets, but he's learned a
lot on the
job. He joins forces with his city editor and fields an unlikely
team of
neighborhood experts to go down those mean streets (and Newark has
some
mean ones!) and find the truth. As a former print reporter,
Parks vividly
conveys the pace and politics of the newspaper business with
plenty of
slams to television reportage, and the casually brutal wit of a
bunch of
people who live on — and for —
words. Faces of the Gone is a feast of newsroom smarts and
political
savvy, expert pacing and textured dialog —
don't miss it!
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Shades of Grey
by Jasper Fforde
What if everything about
your life and the society you live in were dictated by which
portions of
the spectrum you could see? As measured in a foolproof
test administered
by the most revered authority in your world? This is the central
focus of
Jasper Fforde's exceptional new novel, Shades of Grey.
In a
society several removes from our own and about 600 years into the
future,
everyone is calmly and politely living out the lives dictated by
the Word
of Munsell, or almost everyone... The preferred mode is
Stasis; the
Previous is inexplicable and uninteresting to most of the
population. Odd
remnants of the world as we know it survive, although in wildly
different
forms: Friending has become a powerful social force and public
feedback ratings
fuel status and behavior cues; technology LeapBacks and
governmental
DeFacting are offset by Loopholery and Standard Variables as
people
endeavor to interpret the Rules; spoons are a precious commodity;
and no
one can see the Apocryphal Man. We LOVE this book! First of a
trilogy. |
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The Lock
Artist
by Steve Hamilton
While Steve
Hamilton has
long been a favorite of ours, in The Lock Artist
he
introduces
a uniquely appealing protagonist that we hope to see more of: "I
was the Miracle Boy, once upon a time. Later on, the Milford Mute.
The
Golden Boy. The Young Ghost. The Kid. The Boxman. The Lock Artist.
That
was all me. But you can call me Mike." Mike doesn’t
talk, ever,
but writes his story in fits and starts from a prison cell. One of
the
most striking aspects of The Lock Artist is the author’s
use of
graphic novel panels to communicate between Mike and the only
person he
has ever wanted to be with; there are no illustrations in the
book, but
the panels are so clearly described that you can see them as you
read.
Hamilton has delivered a complete and utterly fascinating
departure from
his superb Alex McKnight crime novels. An added attraction to The
Lock
Artist is that it can be read by adventurous YA readers (fans of
Suzanne
Collins or Patrick Ness) and NO vampires! |
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Bad Things Happen
by Harry Dolan
What we really loved
about Bad Things Happen is how completely
unexpected it is. Every time we
thought, OK, now I get it, the writer went somewhere else – not A,
not B,
but C. Harry Dolan brings a fresh new voice (think deadpan
noir) and a
bottomless bag of tricks to the contemporary mystery novel. While
you are
reading Bad Things Happen, you are totally
captivated by the characters
and their all-too-human secrets and passions, which drive the plot
at
breakneck speed. But along with the constant reversals and
surprises, you
also get an homage to and send-up of the crime fiction genre
itself. And
after you finally are able to put it down (some sections demand
re-reading), you realize that you have also read a murderous
little
meditation on the business of writing... and editing. Dolan
had us from
his sinister opening line: "The shovel has to meet certain
requirements."
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The Ghosts of
Belfast
by Stuart Neville
The Ghosts of Belfast
is a haunting literary dirge of a thriller about the 'troubles'
of
Northern Ireland. Former IRA hit man Gerry Fegan sees dead
people: the
ghosts of those he killed, assigned targets as well as innocent
civilians caught in the crossfire. Neville walks a razor’s edge
as he
balances Fegan’s need for personal atonement (we’re talking
ARMED
personal atonement here, folks) against the complexities of a
social
order that desperately wants to Move On. This is a scorching
and moving
noir debut, the first book in a projected series.
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THE
BLADE ITSELF
by Marcus Sakey
With raves from every notable crime writer in the business,
you've
either heard about this first novel or you've been
in solitary
confinement. Danny Carter's contented, quintessential
suburban life
collides with a crunch when he runs into his old burgling buddy
Evan,
who is newly released from prison with a really nasty jones for
making
Danny's life miserable. Evan is a splendidly villainous
character; he
steals every scene. It's a creepy pleasure watching him make
Danny
squirm. Sakey's debut crime novel asks, "How far would
you go to
protect everything you love?" and that's exactly what
you'll find out.
This debut bodes very well for Sakey's future -
which is
guaranteed if his next novel is anywhere half as good as Blade.
Collectors and readers for pleasure alike should snap this up. |
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A Corpse in the
Koryo
by James Church
Every once in a
while we encounter something completely different, and James
Church’s
first novel is one of them. Set in what is likely the
most
closed society in the world – North Korea – this is a police
procedural with a distinctively Kafkaesque flavor. Inspector O
is
given a rather vague assignment to watch a certain border
crossing
early one morning, and when he fails to complete it to
the
satisfaction of his superiors he unintentionally sets off a
secret
firestorm of competing agendas among the nation’s security
agencies.
Church (not his real name, he’s still in the intelligence
business)
has created a hero worth admiring in O, and a definite
particularity
of place that will haunt you beyond the reading. Per Olen
Steinhauer:
“If you like fine writing, eye-opening characters and locales,
and a
quiet but purposeful intelligence wrapped inside a thrilling
story,
get ready to go to Church.“
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